Man is condemned to be free; because once thrown into the world, he is responsible for everything he does – Meaning

The quote “Man is condemned to be free; because once thrown into the world, he is responsible for everything he does” comes from Jean-Paul Sartre, a key figure in existentialist philosophy. It appears within the context of his broader discussions on freedom, responsibility, and the human condition. Sartre wrote during a time of immense upheaval: the aftermath of World War II and the Occupation of France. His philosophy grappled with the intense moral and ethical questions that arose during this tumultuous era.

For Sartre, freedom is not a privilege but a condition that defines human existence. This condition of freedom “condemns” us because it necessitates that we make choices. Unlike a rock or a tree, a human being has the capacity for decision-making, and with this capability comes the moral responsibility for our actions. Being “thrown into the world,” an idea echoing Heidegger’s concept of “thrownness,” emphasizes that we do not choose the circumstances of our birth or our initial conditions. However, we are entirely responsible for how we navigate the complexities of our existence afterward.

The term “condemned” may carry a negative connotation, but Sartre uses it to stress the weightiness and inescapability of freedom. You can’t opt-out of this freedom; even choosing not to choose is a choice. This leads to a state Sartre terms “bad faith,” where individuals deny their freedom and responsibility by conforming to societal roles or norms as if those roles define them absolutely. For Sartre, authentic existence can only be achieved by acknowledging this freedom and taking full responsibility for our actions, choices, and the consequences they entail. This is why, for Sartre, freedom is both a blessing and a curse: it’s the foundation of human dignity and the source of existential dread.

The Reluctant Hero: Václav Havel and the Velvet Revolution

In the late 1980s, Czechoslovakia was a nation stifled under the grip of communist rule, its citizens languishing under a regime that curtailed freedom of speech and thought. Václav Havel, a playwright and dissident, found himself in an unenviable position: his art made him a target, but it also made him a symbol of resistance. His situation was the epitome of Sartre’s existential dilemma; he was “condemned to be free,” responsible for every choice he made.

Havel could have chosen a life of lesser resistance—writing less provocative plays, or even fleeing abroad. Yet he faced the existential weight of his freedom, acknowledging that to evade responsibility was to live in “bad faith.” He instead co-authored Charter 77, a human rights manifesto that challenged the government and led to his repeated imprisonment. Havel’s decision to act was an exercise in what Sartre termed “authentic existence,” a full embracing of the freedom and responsibility that came with his choices.

In 1989, the tides of history turned. The Velvet Revolution—so named for its peaceful nature—overthrew the communist regime, and Václav Havel was elected as President of Czechoslovakia. The reluctant hero was faced yet again with the weight of his freedom; he could shape the future of a nation. Taking on the role, Havel navigated the challenges of transitioning from communism to democracy, steering the country towards greater freedoms and human rights. His life story serves as a testament to Sartre’s notion: to be human is to be irrevocably free, to be responsible for shaping our world, for better or for worse.

The narrative of Václav Havel serves as an exquisite illustration of Jean-Paul Sartre’s philosophical claim that “Man is condemned to be free; because once thrown into the world, he is responsible for everything he does.” Havel’s life journey is a textured tapestry woven from strands of choices, responsibilities, and the burdensome yet empowering freedom that accompanies them. The narrative is not a mere chronicle of events but an existential odyssey that encapsulates the tension between individual agency and societal constraints.

Havel embodies Sartre’s ideal of “authentic existence,” the acknowledgment and embracement of one’s inalienable freedom and the attendant responsibilities. Unlike others who might opt for a path of least resistance, Havel demonstrates that true freedom is not the absence of restrictions but the ability to choose one’s path despite them. His co-authorship of Charter 77 is a radiant example of this, a choice fraught with peril but also imbued with a profound sense of responsibility to a cause greater than oneself. Havel doesn’t flee from the weight of his freedom; he bears it, illustrating Sartre’s idea that evasion of such weight results in “bad faith.” Furthermore, Havel’s eventual presidency adds another nuanced layer to Sartre’s philosophy. Now armed with political authority, Havel could directly impact a nation’s course. Yet, this newfound power doesn’t dilute his existential freedom; it amplifies it. The ‘condemnation’ of freedom takes on a broader scope, as his choices now echo in the halls of governance and the streets of Czechoslovakia. His tenure as a statesman becomes a larger arena where the intricate dance between freedom and responsibility continues to play out. Thus, the story of Václav Havel serves as a compelling tableau that gives flesh and bone to Sartre’s abstractions, demonstrating that the philosophical ideal of ‘condemned freedom’ has real-world reverberations, shaping not just individual destinies but the fate of nations

"A gilded No is more satisfactory than a dry yes" - Gracian