How to Read H.P. Lovecraft

Howard Phillips Lovecraft was an American writer of weird and horror fiction, who is known for his creation of what became the Cthulhu Mythos. Lovecraft’s literature, dominated by cosmic horror, emphasizes the insignificance of human beings within the universe and often invokes the use of arcane literature and lore.

1. The Call of Cthulhu (1928): This is Lovecraft’s signature work. It introduces the Cthulhu Mythos to the world, a shared universe used in the work of Lovecraft and subsequent writers.

Review: A cornerstone of Lovecraft’s fiction. It portrays a world of ancient, sleeping gods, waiting for the stars to align.

Reason to Read: To experience the quintessential Lovecraft tale that introduces the iconic figure of Cthulhu and the overarching mythology that many of his stories share.

In a Nutshell: An epistolary tale about the terrifying discovery of a monstrous entity lurking beneath the sea.

Key Quotes:

  • “The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents.”
  • “That is not dead which can eternal lie, and with strange aeons even death may die.”

2. At the Mountains of Madness (1931): In this novella, Lovecraft explores the depths of horror through a scientific expedition to Antarctica that uncovers ancient, alien ruins.

Review: A chilling tale that masterfully combines the exploration of the unknown with the horror of cosmic revelation.

Reason to Read: To delve deeper into Lovecraft’s mythos and his interpretation of pre-human history on Earth.

In a Nutshell: An Antarctic expedition leads to the discovery of a horrifying, ancient alien civilization.

Key Quotes:

  • “To be forced to believe only one conclusion – that everything was eternally dead and unresponsive – was too hideous for contemplation.”
  • “What we did not see, rather than what we did see, proved the horror of the experience.”

To read H.P. Lovecraft is to navigate a world teeming with ancient gods, cosmic horrors, and a palpable sense of dread, reflecting the existential terror of a universe much larger and more alien than we could ever comprehend.

3. The Shadow Over Innsmouth (1931): A thrilling novella that delves into the grotesque and the horrifying secret of a decaying seaport town in Massachusetts.

Review: A suspenseful, eerie tale that masterfully combines Lovecraft’s flair for the horrific with his adept world-building.

Reason to Read: To experience a classic tale of horror that encapsulates Lovecraft’s themes of cosmic dread and the decay of humanity.

In a Nutshell: A traveller’s curiosity leads to an unspeakable discovery about a seemingly desolate town and its monstrous inhabitants.

Key Quotes:

  • “I could not escape the sensation of being watched from ambush on every hand by sly, staring eyes that never shut.”
  • “I think their predominant colour was a greyish-green, though they had white bellies.”

4. The Dunwich Horror (1929): Another notable entry in the Cthulhu Mythos, the story revolves around a rural Massachusetts town’s brush with a monstrous entity.

Review: This tale of terror exemplifies Lovecraft’s mastery of the supernatural and the inexplicable, underpinned by his extensive mythology.

Reason to Read: To further immerse yourself in the lore of the Cthulhu Mythos and Lovecraft’s extraordinary imagination.

In a Nutshell: A small town is beset by a terrifying entity, spawned from an unholy union with the cosmic deities of the Lovecraftian universe.

Key Quotes:

  • “As a foulness shall ye know them.”
  • “The old folk have gone away, and foreigners do not like to live there. French-Canadians have tried it, Italians have tried it, and the Poles have come and departed.”

Reading H.P. Lovecraft offers a dive into an abyss of cosmic horror, where mankind’s place in the universe is but a speck, lost in the grand theatre of ancient, malevolent forces. His work continues to exert significant influence on the genre of horror literature, offering readers a unique blend of existential dread and science fiction.

"A gilded No is more satisfactory than a dry yes" - Gracian