Surprised by Joy Summary (7/10)

Below are excerpts from Surprised by Joy, by C.S. Lewis.

I feared for my soul; especially on certain blazing moonlight nights in that curtainless dormitory—how the sound of other boys breathing in their sleep comes back! The effect, so far as I can judge, was entirely good. I began seriously to pray and to read my Bible and to attempt to obey my conscience. Religion was among the subjects which we often discussed; discussed, if my memory serves me, in an entirely healthy and profitable way, with great gravity and without hysteria, and without the shamefacedness of older boys. How I went back from this beginning you shall hear later.

But now, for the first time, there burst upon me the idea that there might be real marvels all about us, that the visible world might be only a curtain to conceal huge realms uncharted by my very simple theology. And that started in me something with which, on and off, I have had plenty of trouble since—the desire for the preternatural, simply as such, the passion for the Occult. Not everyone has this disease; those who have will know what I mean. I once tried to describe it in a novel. It is a spiritual lust; and like the lust of the body it has the fatal power of making everything else in the world seem uninteresting while it lasts. It is probably this passion, more even than the desire for power, which makes magicians.

This ludicrous burden of false duties in prayer provided, of course, an unconscious motive for wishing to shuffle off the Christian faith; but about the same time, or a little later, conscious causes of doubt arose. One came from reading the classics. Here, especially in Virgil, one was presented with a mass of religious ideas; and all teachers and editors took it for granted from the outset that these religious ideas were sheer illusion. No one ever attempted to show in what sense Christianity fulfilled Paganism or Paganism prefigured Christianity. The accepted position seemed to be that religions were normally a mere farrago of nonsense, though our own, by a fortunate exception, was exactly true. The other religions were not even explained, in the earlier Christian fashion, as the work of devils. That I might, conceivably, have been brought to believe.

But the impression I got was that religion in general, though utterly false, was a natural growth, a kind of endemic nonsense into which humanity tended to blunder. In the midst of a thousand such religions stood our own, the thousand and first, labelled True. But on what grounds could I believe in this exception? It obviously was in some general sense the same kind of thing as all the rest. Why was it so differently treated? Need I, at any rate, continue to treat it differently? I was very anxious not to. In addition to this, and equally working against my faith, there was in me a deeply ingrained pessimism; a pessimism, by that time, much more of intellect than of temper. I was now by no means unhappy; but I had very definitely formed the opinion that the universe was, in the main, a rather regrettable institution. I am well aware that some will feel disgust and some will laugh, at the idea of a loutish, well-fed boy in an Eton collar, passing an unfavourable judgement on the cosmos.

Several years before I read Lucretius I felt the force of his argument (and it is surely the strongest of all) for atheism— Nequaquam nobis divinitus esse paratam Naturam rerum; tanta stat praedita culpa – Had God designed the world, it would not be A world so frail and faulty as we see. You may ask how I combined this directly atheistical thought, this great ‘Argument from Undesign’ with my Occultist thought.

There were two perfectly good morals he could have drawn. He might have said, ‘We are going to teach you never to rely on second-hand information when first-hand is available’—a very profitable lesson.  

It was here that I first read a volume of Chesterton’s essays. I had never heard of him and had no idea of what he stood for; nor can I quite understand why he made such an immediate conquest of me. It might have been expected that my pessimism, my atheism, and my hatred of sentiment would have made him to me the least congenial of all authors. It would almost seem that Providence, or some ‘second cause’ of a very obscure kind, quite over-rules our previous tastes when it decides to bring two minds together. Liking an author may be as involuntary and improbable as falling in love. I was by now a sufficiently experienced reader to distinguish liking from agreement. I did not need to accept what Chesterton said in order to enjoy it. His humor was of the kind which I like best—not ‘jokes’ imbedded in the page like currants in a cake, still less (what I cannot endure), a general tone of flippancy and jocularity, but the humor which is not in any way separable from the argument but is rather (as Aristotle would say) the ‘bloom’ on dialectic itself.

The sword glitters not because the swordsman set out to make it glitter but because he is fighting for his life and therefore moving it very quickly. For the critics who think Chesterton frivolous or ‘paradoxical’ I have to work hard to feel even pity; sympathy is out of the question. Moreover, strange as it may seem, I liked him for his goodness. I can attribute this taste to myself freely (even at that age) because it was a liking for goodness which had nothing to do with any attempt to be good myself. I have never felt the dislike of goodness which seems to be quite common in better men than me. ‘Smug’ and ‘smugness’ were terms of disapprobation which had never had a place in my critical vocabulary. I lacked the cynic’s nose, the odora canum vis or bloodhound sensitivity for hypocrisy or Pharisaism. It was a matter of taste: I felt the ‘charm’ of goodness as a man feels the charm of a woman he has no intention of marrying. It is, indeed, at that distance that its ‘charm’ is most apparent.

In reading Chesterton, as in reading MacDonald, I did not know what I was letting myself in for. A young man who wishes to remain a sound Atheist cannot be too careful of his reading. There are traps everywhere—‘Bibles laid open, millions of surprises,’ as Herbert says, ‘fine nets and stratagems.’ God is, if I may say it, very unscrupulous. In my own battalion also I was assailed. Here I met one Johnson (on whom be peace) who would have been a lifelong friend if he had not been killed. He was, like me, already a scholar of an Oxford college (Queen’s) who hoped to take up his scholarship after the war, but a few years my senior and at that time in command of a company.

The word life had for me pretty much the same associations it had for Shelley in The Triumph of Life. I would not have understood what Goethe meant by des Lebens goldnes Baum. Bergson showed me. He did not abolish my old loves, but he gave me a new one. From him I first learned to relish energy, fertility, and urgency; the resource, the triumphs, and even the insolence, of things that grow. I became capable of appreciating artists who would, I believe, have meant nothing to me before; all the resonant, dogmatic, flaming, unanswerable people like Beethoven, Titian (in his mythological pictures), Goethe, Dunbar, Pindar, Christopher Wren, and the more exultant Psalms.

"A gilded No is more satisfactory than a dry yes" - Gracian